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Deeper Commentary

CHAPTER 4

4:1 After these things I looked, and beheld a door opened in heaven- John is being given a peep into the heavenly throne room. The 'court of heaven' was a common Jewish idea. The events on earth are reflected there, with representative Angels standing before God and receiving His judgments. The Angels may represent sinners and sinful entities, but Angels themselves do not sin. The comfort is that situations in earth are not out of control, but are known and perceived totally and instantly in Heaven. The opening of a door speaks of an opportunity being provided, perhaps in response to a knock (see on 3:8,20). It could be that John and others had sought desperately to understand their persecutions and how things really were in Heaven; and John's visions were the answer.

And the first voice that I heard, as if a trumpet was speaking to me, was as one saying: Come up here, and I will show you the things which hereafter must came to pass- Unlike Hebrew, the tenses in Greek are precise and have specific reference. In Rev. 1:19 John was told to write down the things which he had seen, the things which presently are, and the things which shall be “hereafter”. I suggest the things he had seen were the things of the vision of the Son of Man; the things which are refer to the messages to the seven churches; and “the things which shall be hereafter” is a phrase developed here in Rev. 4:1, where John is bidden come and see “the things which must be hereafter”. The things from then on all refer to the future, the last days and the coming of Christ. The vision of the Heavenly throne room in chapters 4 and 5 therefore refers to how things are in the Heavenly court in the last days. That is confirmed by comments on many of the following verses in chapter 4. The vision is in the form of "a voice of a trumpet". The same Greek words are found in Mt. 24:31 and 1 Thess. 4:16 about the "sound [s.w. "voice"] of a trumpet" which will be heard at Christ's return. The same words are used of the trumpets heard at the final outpouring of woe upon the land at the Lord's coming (Rev. 8:3). The vision therefore has a clear end time reference, and describes the scene in Heaven at that time, rather than being a general picture of how things are in Heaven.

4:2 Immediately I was in the Spirit- Being "in the Spirit" was in response to the invitation to come 'up' to Heaven to view the court room (:1).

And beheld a throne set in heaven; and one sitting upon the throne- The setting up of the throne recalls the language of the throne being 'set' for judgment at Christ's return (Ps. 122:5; Dan. 7:9). As noted on :1, the entire vision in chapter 4 is of the state of affairs at the last day being reflected in the Heavenly throne room. Thrones set on earth are set in Heaven, just as David on earth sat as it were on the throne of God in Heaven as king.

4:3 And he that sat on it was to look upon like a jasper stone, and a sardius; and there was a rainbow round about the throne, like an emerald to look upon- The rainbow suggests that Divine judgment has come to an end, and the faithful remnant saved. As noted on :1, this is a picture of things at the last day. The Lord sits upon the judgment throne with a rainbow as a halo around it, meaning that His judgment is overarched by grace and a desire in fact not to condemn the world, even if they spurn His grace and choose His condemnation.

Jasper is the gem used to describe the appearance of all the faithful (21:11,18,19); the Lord's righteousness and exalted status will finally be true of all who are in Him. The sardine or sardius likewise (21:20), and the emerald (21:19). These are also stones in the High Priestly breastplate, representing the tribes of the Lord's people. We, His people, shine from His face. This is the extent of His total identification with us, and ours with Him. See on 5:3.

4:4 And round about the throne were twenty four thrones; and upon the thrones I saw twenty four elders sitting, dressed in white garments, and on their heads were crowns of gold- This again is reflecting the situation of the last days. The elders are 'clothed in white clothing', but every time those words occur in Revelation the context is of believers who have overcome the tribulation and are now clothed in white (3:5,18; 7:9,13). The vision of such clothing in Heaven may suggest that the elders thus clothed are the representative Angels of the believers on earth. Revelation is full of this kind of representation of human situations before the court of Heaven. Their golden crowns (4:4) are the crowns of victory which the faithful wear after judgment (the stephanos is specifically a victory wreath- 1 Cor. 9:25; Phil. 4:1; 1 Thess. 2:19; the crown which shall be given "at that day", 2 Tim. 4:8; James 1:12; 1 Pet. 5:4; Rev. 2:10). Golden crowns are worn by the latter day enemies of God's people (Rev. 9:7); the specific usage of stephanos here, the victory wreath, suggests that they are celebrating their brief victory and establishment of a fake Kingdom of God. This is exactly what Moslems expect their Mahdi to do as a result of their latter day victories against the Jews. The ten horns of the beast are also crowned (13:1); the brief victory of the beast is a parody of the establishment of the true Kingdom of God.

These 24 elders recall the 24 orders of priests, who represent all the Lord's redeemed people. For we are a nation of priests, constantly in His service. As noted on :3, the Lord is presented as having the stones of the high priestly breastplate shining from His face as He sits enthroned, as a king-priest after the order of Melchizedek. We too shall be enthroned. Priests who are enthroned are king-priests; the Lord likewise was a king-priest after the order of Melchizedek, and we shall eternally have this status. We have just read that the faithful shall share His throne (3:21). As noted several times on Hebrews, we are not only benefitted by the Lord's high priestly work for us, but merge with Him, entering into the Holiest as did the High Priest- to do the work of the High Priest for the salvation of others.

I am of the view that the seals and vials of Revelation have such strong connection with both the Olivet prophecy and the actual events in the land in AD66-70 that it is impossible to discount the application of Revelation to this period. This means that it would have been written some time before AD70. A major theme is the need to resist the Caesar worship and maintain their separation from the world around them. Indeed, the whole of Revelation can be read, in its’ AD70 application, as an account of the struggle between Christ and Caesar. Such strong imagery is used in order to emphasise that there could be no third road. It was one or the other. Thus Rev. 4,5 presents a picture of the throne of Heaven, but it is replete with reference to the imperial ceremonial court. Consider the points of contact and contrast: 
- Greco-Roman kings were considered to be divine, and their courtrooms were arranged in concentric circles centring upon the Caesar / King- just as with the true throne room
- Their attendants were often arranged in groups of 7s and 12s- after the supposed seven planetary spheres and the 12 signs of the zodiac. Compare this with the 7s, 12s and 24s [2 x 12] in Revelation (4:4,5,10; 5:6-10). The 24 elders are a parody of the 24 lictors or bodyguards who surrounded Domitian and other Caesars. Instead of praying for Caesar and the empire, Revelation presents a radical counter culture. Caesar and his empire are presented as a fake Kingdom, which is to be prayed against- resulting in the overthrow of that Kingdom by the Kingdom of God. And the death of the Lord Jesus is seen as having already guaranteed this, and achieved it in prospect. Likewise casting crowns before Caesar is parodied in :10. This is ultimately done before the Lord Jesus, and is done for ever. All these allusions show how the Roman kingdom / empire is the antithesis of the true and ultimate Kingdom / empire, of God through the Lord Jesus. The 'iron rule' of Rome is the antithesis of the 'iron rod' with which the Lord Jesus shall rule the nations through His people (Rev. 2:26). There is no overlap between the two empires. Human politics cannot bring about God's Kingdom. The kingdoms of this world are to become the kingdoms of our Lord and of His Christ. And in the lead up to that, Christian culture and Roman culture [or the world's culture] are absolutely separate and counter to each other.
- These attendants sung hymns of praise to the Caesar (cp. 4:8-11; 5:9-14)
- The Caesar dispersed justice to the empire / kingdom, symbolised by a scroll (cp. 5:1-8).
- Language such as God, Son of God, Lord’s day, saviour of the world was used in the imperial cult.
Suffice it to say that today just as much as in the 1st century, there is a radical clash of cultures and belief systems between us and this present world. The radical nature of the conflict cannot be overstated.

However, the primary audience of the book of Revelation was likely Jewish Christians in Jerusalem, who were drifting back to Judaism and becoming caught up in the wave of nationalism which led to the Jewish War and the events of AD70. And so for them, the reference of the 24 elders would have been to the Jewish system which was now far eclipsed by the glory of the Heavenly system which had the Lord Jesus at its epicentre. There may well be reference to "the smaller Sanhedrin" at Jerusalem which had 24 elders in the lead up to AD70. Again, symbols and images of worldly power, of the society around us, are subsumed and deconstructed beneath the wonder of the exaltation of the Lord Jesus. And so it should be in our worldview.

4:5 - see on Rev. 1:20; Jer. 1:11,12.

And out of the throne proceeded lightnings, voices and thunders- As noted on :1, the vision of the Heavenly throne room in chapters 4 and 5 refers to how things are in the Heavenly court in the last days. In this context, the seven heads and mountains of the beast perhaps have their match in the seven spirits / Angels before God’s throne. As found in Daniel, the situation on earth is not at all out of control; rather is it a reflection of the Heavenly throne room, just as the beasts of Daniel 7 arise out of the sea as a result of the [apparent] ‘striving’ of the spirits / Angels / winds. The lightnings which flash out of the throne were not just what were ‘usually’ there in Heaven; rather are these the lightnings which flash in the last day events of Rev. 8:5; 11:19; 16:18, recalling the flashing of lightning as a sign of God’s especial and saving activity of His people (Ps. 18:14). As lightening, fire and thunder 'proceeds' out of the throne and from the mouth of Him sitting upon it (1:16; 4:5), so the same word is used of how fire and judgment proceed out of their mouth of God's briefly victorious enemies (9:17,18). So often the contrast is drawn between the things of God's Kingdom and God's people, and those of His opposition. The thundering recorded here is that of Rev. 19:6 at the time of the second coming of Christ. The great voice out of the throne [“voices” may be a reflection of the Hebrew idea of an intensive plural] is the great voice out of the throne of Rev. 16:17; 19:5 when “it is done”. It is the voice of victory which effectively comes out of the throne at the last day (Rev. 7:9,10).

The 24 elders of Rev. 4:5 represent rather than symbolize the believers, whose guardians they are. These Angels represent the saints in the court of Heaven. In this lies the practical meaning of all this; that we, our 'case', our thoughts and deeds, are represented in none less than the court of Heaven; and there they are judged, discussed, and responded to.

And there were seven lamps of fire burning before the throne, which are the seven Spirits of God- It is the faithful who are "before the throne". The seven spirits refers perhaps to the totality of God's Spirit and His power. Seeing He makes His Angels spirits, it could be that God's power is apportioned between seven senior Angels. But the connection with the seven churches and stars, who are the angels of the churches, is also clear. As the indwelling Spirit dwells and abides within us, so we are represented as the seven lamps burning always before Him in Heaven. In the last day, of which this vision speaks, we shall be turned to Spirit nature. We are the elders, and we are the seven spirits. The symbolism reflects different aspects of the same realities.

There are four references in Revelation to the seven spirits (Rev. 1:4; 3:1; 4:5; 5:6), making a total of 28. Which is the same number of times Revelation uses the term "the Lamb". The idea is that the totality of the Spirit is under the control of the Lord Jesus- which follows from His enthronement as King of the cosmos, on God's behalf, with all power / Spirit given to Him. To Him who was once a little boy growing up in Nazareth, clinging to His mother, struggling with childhood hurts and illnesses... so highly was He exalted. But these seven spirits are clearly to be connected with the seven lamps burning before the throne of Rev. 4:5, the candlestick with seven lamps burning "before the Lord" (Ex. 40:25). And that candlestick is the church, according to Rev. 1-3. The fullness of His power works through the church in her mission of being sent into the world with the Gospel, just as the seven spirits of God in Zechariah 4:10 [the basis of the candlestick imagery in Revelation] go to and fro throughout the earth. We have total power behind us in seeking to fulfil the great commission. Like those sent forth by the Lord during His ministry, we return from each mission admitting that we lacked nothing.

4:6 And in front of the throne there was as it were a sea of glass like a crystal- The allusion is to the bronze "sea" or laver in the temple. Verse 5 has just alluded to the candlestick. Here there is a tranquil “sea of glass”, but this is the very same symbol as used in Rev. 15:2 concerning how this situation is arrived at after and as a result of the fiery judgments upon God’s enemies in the last days. This confirms the suggestion on :1 that we have here a vision of the state of things in the last days, seen from Heaven's perspective. This glass sea is “clear as crystal”- which is the very metaphor used to describe the Kingdom conditions (Rev. 21:11; 22:1). Again and again, Revelation 4 uses the language of the period surrounding the establishment of God’s Kingdom on earth. It’s a prophetic vision of the things which shall be “hereafter” (4:1), rather than a description of how things were in Heaven at John’s time and how they have been ‘up there’ for the last 2000 years.

In confirmation of this, note that the whole scene happens “in front of the throne”, but this phrase is repeatedly used later in Revelation to speak of the situation before the judgment throne of the Father and Son, when this as it were is set up on earth. Before that throne the faithful shall be found faultless (14:5), and they sing before that throne a new song because of their triumph (14:3). Those who overcome the tribulation of the last days are found “before the throne” (7:9,11,15). So what we are seeing in chapter 4 happening ‘before the throne’ is not a mere description of ‘what was going on before God’s throne at John’s time, and has been going on all along since then’. No. This is about what shall happen before that throne at the day of judgment at the second coming. That is the time referent of Revelation’s language of “before the throne”. For the sea of humanity is hardly calm as crystal glass before His throne, and will not be until the last day.

And in the midst of the throne and round about the throne, four living creatures full of eyes before and behind- There are evident similarities between Ezekiel's cherubim, and the four living creatures of Rev. 4. They are both described as "full of eyes" (Ez. 1:18 = Rev. 4:6), with four very similar faces (lion, calf, man, eagle in Rev. 4:7 = lion, ox, man, eagle in Ez. 1:10); and both have wings (Rev. 4:8 = Ez. 1:8). Yet the living creatures of Revelation speak of being redeemed by the blood of Christ and made king-priests in God's Kingdom (Rev. 5:8-10)- as if they are the redeemed people of God. The four faces are likely to be connected with the four standards of the tribes of Israel (Lion = Judah, Man = Reuben, Ox = Ephraim, Eagle = Dan). Each of those tribes had two other tribes assigned to them in the encampment procedures of Num. 2. There is extra-Biblical tradition that the cherubim in Solomon's temple had the same four faces which Ezekiel saw on the cherubim- lion, ox, man and eagle. Those to whom Ezekiel related his vision would have immediately understood the point- that the earthly sanctuary was a reflection of the Heavenly, and that above that was a huge Angelic system operating, which also represented God's people- them. But that huge system was to remove to Babylon, and then the final visions of Ezekiel show that glory returning. Ezekiel, as the representative "son of man" as he's so often styled, was caught up within that system and transported at ease between Babylon and Jerusalem- and those who wanted to opt in with God and His Angels could likewise be taken to Babylon and returned. Those who chose to remain in Babylon were therefore resisting being part of an awesome system of God manifestation and Angelic operation. We have that same choice in things great and small today.

Just as the lamb with seven heads faces off against the dragon and beasts with multiple heads, so here, the four living creatures [AV "beasts"] are the equivalent of the "four beasts" of Daniel, who morph into the beasts of Revelation. Again the idea is that the apparently invincible systems seen "on earth" are nothing compared to their far greater equivalent "in Heaven". And the faithful are given a glimpse of Heaven's perspective, and asked to make that their worldview.

We have just read that the faithful shall share His throne (3:21). And exactly there is where we find the living creatures. The "four living creatures" are a means of expressing God's manifestation, be it in Angels or Israel in the past. But now, at the point of the last day of which this vision speaks, the reference is to us. This is why we / they are both in the midst of the throne and round about it. We are in one sense before the throne, receiving His grace, casting our crowns there (:10); and in another sense, sharing with Him in His throne itself.

4:7 And the first creature was like a lion, the second creature like a calf, the third creature had the face of a man and the fourth creature was like a flying eagle- See on :6. The four beasts full of eyes which are found here (:6,7) are the Heavenly reflection of the four beasts of Daniel 7, and the powerful little horn with its cunning eye is thus presented as a weak parody of the Heavenly reality. As noted on :1, the vision of the Heavenly throne room in chapters 4 and 5 refers to how things are in the Heavenly court in the last days. These beasts all exist in the last days in some form, but shall be subsumed within the "four living creatures" of the cherubim, representing the glorified believers; see on :6.

4:8 And the four living creatures each had six wings, full of eyes round about and within-The 'beasts' / 'creatures' of the nations shall be subsumed within and by the cherubic "living creatures", representing the believers (see on :6). Their being "full of eyes" is a repeatedly noted feature, and I suggest refers to how we shall then know all. A large element of our struggle in this world is that we do not have full vision, we cannot attach precise meaning to event, nor see the immediate future. This plays no small part in the psychological struggle of believers especially, who sense that there is meaning to event, and the hand of God is and shall be in their immediate future history, but cannot see it all in detail.

We note that these four living creatures are the same as the cherubic figures of Ez. 1, but there are differences. In Ez. 1, each creature has four faces and four wings, whereas these have six wings, like the seraphim of Is. 6. Perhaps the idea is that here we have a composite image of the seraphim and cherubim, a vision more glorious and extensive than anything revealed in the Old Testament.

And they have no rest day and night- As the Angelic entity of Heaven, representing the believers, has no rest day nor night from His service and praise, so the beast worshippers have no rest day or night from their judgment (4:8 cp. 14:11). These are the only times in the entire New Testament that this Greek phrase for 'having no rest' are used. Indeed, so often Revelation uses phrases and words which occur only in Revelation. So I suggest the scene at this stage is that of the last days (see on :1), and here we have ceaseless praise during the period of the beast's destruction. See on :1. But here again we have an allusion to the Imperial cult. Tacitus writes of how "day and night the applause and acclamations of the Augustiani echoed around the palace". But we are being shown at this point that the true Kingdom or empire is God's, and His throne is the locus of it, and not Caesar's palace in Rome.

Saying: Holy, holy, holy, is the Lord God, the Almighty, who was and who is and who is to come- This again is an allusion to the Imperial cult; here, to the way the Emperor was to be addressed as "most holy [sacratissimi] emperor". "Our Lord and our God" was how Domitian demanded to be addressed. But the Lord God is the Almighty. Not Caesar. At every point, we find a demand for the believer to jettison the cult of Emperor worship, just as we are called upon to view our world as passing away, and to give our loyalty to the Kingdom of God and His Son. The idea of eternity was commonly found in the Imperial cult. Caesar was eternal, Nero being addressed as "the only one from the beginning of time", and so were Roman cities (urbs aeterna), the Roman people  (Aeternitas Populi Romani), and empire itself (pax aeterna). But all these ideas are the antithesis of the Kingdom / empure of God, they were all to pass away, and instead of Rome, the New Jerusalem would alone last eternally. Likewise, "was / is / is to come", clearly alluding to the Yahweh Name, is the ultimate reality opposed to the sea-beast which "was / is not / is to come" (Rev. 17:8.11). The dragon and beasts are represented as pathetic fake imitations of the ultimate Divine reality. They are often described as deceivers; whereas in the mouth of God's people there is no deceit. And we are to view this world likewise.   

4:9- see on Rev. 5:6.

And when the living creatures shall give glory and honour and thanks to him that sits on the throne, to him that lives for ever and ever- The giving of honour to Him who sits upon the throne (4:9) is an idea only found elsewhere in 19:7, where honour is given to the Lord on the throne "for the marriage of the Lamb has come, and His wife has made herself ready". Again, we are directed to understand the giving of honour as appropriate to the Lord's second coming. The picture is specifically of the last days; see on :1. The "living creatures" have something to "thank" the Lord for, and to glorify and honour Him for. I suggested on :6 that at this point, they refer to the glorified believers.


4:10 The twenty four elders shall fall down before him that sits on the throne and shall worship him that lives for ever and ever, and shall cast their crowns before the throne, saying- Those who enter the Kingdom will genuinely, from the very depth of their being, feel that they shouldn't be there. They will cast their crowns before the enthroned Lord, as if to resign their reward as inappropriate for them. Indeed, they shouldn't be in the Kingdom. The righteous are "scarcely saved" (1 Pet. 4:18). The righteous remnant who spoke often to one another about Yahweh will only be "spared" by God's grace (Mal. 3:17).

This is another of many allusions to the emperor cult, whereby local kings and rulers knelt and cast their crowns before the Roman emperor or before images of him. It was a statement of utter submission. But this picture is applied to the Lord Jesus, and contributed towards making Revelation such a subversive and illegal document within the Roman empire. The things we stand for are no less radical and break all the norms of the societies in which we currently live.

Because it is by God’s will that we are created, because He is from everlasting to everlasting, because God is creator (:11), we cast our crowns of ‘reward’ before His throne in a sense of unworthiness, just as David in Ps. 8 had the overawing sense of ‘Who am I…?’ when he reflected upon God’s creation.

Depending upon how we translate the verbs, there could also be the sense here that the casting of crowns goes on "for ever". To throw down your crown is something done on the cusp of emotion, from deep recognition of unworthiness before the One whom we so deeply respect. But that cusp of emotion shall endure for ever.


4:11 Worthy are you, our Lord, to receive the glory and the honour and the power. For you did create all things, and for your sake they existed and were created- "Our Lord" refers to the Lord Jesus, and is again a subversion of the way Caesar was addressed in this way. His creation of all things recalls the prologue of John's gospel, where clearly a new creation is in view (2 Cor. 5:17), a creation of a world of persons in His image. And as the faithful find themselves accepted and immortalized before His throne, they will realize that indeed the new creation has come to its final term. And they stand there because of His creation of them, and not in their own strength, created of His will [NEV "sake", AV "pleasure"] and not their own. The allusion may be to Jn. 1:13, where the Lord Jesus is presented as bringing us into spiritual being not of our will but of His. In :8,11 we read of “the Lord God Almighty, who was and is and is to come” ‘receiving [lambano]’ “glory, honour and power [dunamis]”. The only other time we read of this is in Rev. 11:15-17, when the seventh Angel sounds and the Kingdom of God is established: “We give You thanks O Lord God Almighty, who is and who was; because You have taken [lambano] Your great power [dunamis] and have reigned”. The vision here is specifically about the state of the Heavenly throne room at the last day; see on :1.